{"id":9524,"date":"2026-07-27T07:00:00","date_gmt":"2026-07-27T05:00:00","guid":{"rendered":"https:\/\/lacartebuissonniere.fr\/?p=9524"},"modified":"2026-07-15T08:35:24","modified_gmt":"2026-07-15T06:35:24","slug":"de-la-mure-contemplative-a-la-mure-a-double-fond","status":"publish","type":"post","link":"https:\/\/lacartebuissonniere.fr\/index.php\/2026\/07\/27\/de-la-mure-contemplative-a-la-mure-a-double-fond\/","title":{"rendered":"De la m\u00fbre contemplative \u00e0 la m\u00fbre \u00e0 double fond"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u2019est le jour de la m\u00fbre dans le calendrier r\u00e9publicain&nbsp;!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La pomme, la poire ou le raisin reviennent sans cesse sur les tables des peintres. La m\u00fbre, elle, est beaucoup moins fr\u00e9quente. On la rencontre dans les herbiers, les enluminures, certaines natures mortes ou quelques illustrations botaniques, mais rarement comme sujet principal.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En cherchant n\u00e9anmoins des repr\u00e9sentations de m\u00fbres, je suis tomb\u00e9e sur deux \u0153uvres qui, malgr\u00e9 les si\u00e8cles qui les s\u00e9parent, pourraient dialoguer : une nature morte de Louise Moillon et une lithographie de Salvador Dal\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c0 premi\u00e8re vue, tout les oppose.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chez Louise Moillon, la m\u00fbre est contemplative&nbsp;:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"585\" src=\"https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/A680EB6D-9BAC-4C04-A4A8-AB5F315F5312.jpeg\" alt=\"\" class=\"wp-image-9525\" srcset=\"https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/A680EB6D-9BAC-4C04-A4A8-AB5F315F5312.jpeg 800w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/A680EB6D-9BAC-4C04-A4A8-AB5F315F5312-300x219.jpeg 300w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/A680EB6D-9BAC-4C04-A4A8-AB5F315F5312-768x562.jpeg 768w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/A680EB6D-9BAC-4C04-A4A8-AB5F315F5312-600x439.jpeg 600w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La peintre du XVII<sup>e<\/sup> si\u00e8cle poss\u00e8de ce don singulier d\u2019accorder une importance \u00e9gale aux choses les plus modestes. Le fruit n\u2019est pas un symbole, mais une pr\u00e9sence. La lumi\u00e8re s\u2019attarde sur sa peau, les couleurs se nuancent, les volumes s\u2019affirment avec une d\u00e9licatesse infinie. Le regard est invit\u00e9 \u00e0 ralentir.<br>La peinture semble nous dire : regardez vraiment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La lithographie de Dal\u00ed, en revanche, prend un chemin plus sinueux&nbsp;:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"1024\" src=\"https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/226C0241-85A6-466E-8AB6-675E4CF13C03_1_105_c-764x1024.jpeg\" alt=\"\" class=\"wp-image-9526\" srcset=\"https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/226C0241-85A6-466E-8AB6-675E4CF13C03_1_105_c-764x1024.jpeg 764w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/226C0241-85A6-466E-8AB6-675E4CF13C03_1_105_c-224x300.jpeg 224w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/226C0241-85A6-466E-8AB6-675E4CF13C03_1_105_c-447x600.jpeg 447w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/226C0241-85A6-466E-8AB6-675E4CF13C03_1_105_c.jpeg 765w\" sizes=\"auto, (max-width: 764px) 100vw, 764px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D\u2019abord, rien de particuli\u00e8rement \u00e9trange. La plante est repr\u00e9sent\u00e9e avec un soin presque naturaliste. Les feuilles sont minutieusement observ\u00e9es, les fruits passent du rouge au noir profond selon leur degr\u00e9 de maturit\u00e9. Sauf qu\u2019il ne s\u2019agit pas de m\u00fbres de ronce, mais de m\u00fbres de m\u00fbrier, reconnaissables \u00e0 leur forme allong\u00e9e et \u00e0 leur feuillage caract\u00e9ristique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le regard s\u2019installe dans leur observation, puis quelque chose bascule.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c0 gauche appara\u00eet une figure humaine, allong\u00e9e, r\u00eaveuse, comme surgie du v\u00e9g\u00e9tal lui-m\u00eame. Rien n\u2019\u00e9tait cach\u00e9. La silhouette \u00e9tait l\u00e0 depuis le d\u00e9but. Pourtant, l\u2019\u0153il ne la d\u00e9couvre qu\u2019apr\u00e8s avoir contempl\u00e9 la plante.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La m\u00fbre \u00e9tait donc un leurre, ou plut\u00f4t : une porte.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u2019est ce qui distingue profond\u00e9ment les deux \u0153uvres.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chez Moillon, l\u2019attention trouve son accomplissement dans l\u2019objet regard\u00e9.<br>Chez Dal\u00ed, l\u2019attention ouvre un second espace.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La contemplation ne conduit plus seulement \u00e0 voir le monde avec davantage de pr\u00e9cision ; elle d\u00e9bouche sur une autre r\u00e9alit\u00e9, mentale, imaginaire, incertaine. La plante demeure parfaitement identifiable, mais elle se r\u00e9v\u00e8le porteuse d\u2019autre chose qu\u2019elle-m\u00eame.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La m\u00fbre de Dal\u00ed est une m\u00fbre \u00e0 double fond.<br>L\u2019expression convient d\u2019autant mieux \u00e0 l\u2019artiste qu\u2019elle \u00e9voque l\u2019un de ses proc\u00e9d\u00e9s favoris : faire surgir une seconde image derri\u00e8re la premi\u00e8re, un second sens derri\u00e8re le sens apparent, un autre monde derri\u00e8re le monde visible.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cette diff\u00e9rence est renforc\u00e9e par l\u2019espace m\u00eame des deux \u0153uvres.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chez Moillon, les fruits appartiennent \u00e0 un univers habitable : une table, un panier, un int\u00e9rieur silencieux. Ils occupent un espace que nous pourrions partager.<br>Chez Dal\u00ed, le fond rouge uniforme efface tout contexte. Le m\u00fbrier et la figure semblent flotter hors du monde, dans un lieu qui rel\u00e8ve davantage de la pens\u00e9e que de la r\u00e9alit\u00e9. L\u2019image ne d\u00e9crit plus un espace, mais met en sc\u00e8ne une apparition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pourtant, les deux artistes se rejoignent dans une conviction commune : les choses les plus ordinaires m\u00e9ritent qu\u2019on les regarde longtemps.<br>La diff\u00e9rence est que Louise Moillon trouve dans cette attention une r\u00e9v\u00e9lation du r\u00e9el, tandis que Salvador Dal\u00ed y d\u00e9couvre l\u2019ouverture d\u2019un passage.<br>Chez l\u2019une, le fruit est une fin, tandis que, chez l\u2019autre, il devient un seuil.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Entre la m\u00fbre contemplative et la m\u00fbre \u00e0 double fond, il n\u2019y a donc pas opposition, mais continuit\u00e9. Car il suffit parfois de regarder une chose ordinaire avec assez de patience pour qu\u2019elle r\u00e9v\u00e8le sa pr\u00e9sence ou son myst\u00e8re.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/FB516DD5-4C14-4059-A7F1-6F59E6426D3F-819x1024.png\" alt=\"\" class=\"wp-image-9527\" srcset=\"https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/FB516DD5-4C14-4059-A7F1-6F59E6426D3F-819x1024.png 819w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/FB516DD5-4C14-4059-A7F1-6F59E6426D3F-240x300.png 240w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/FB516DD5-4C14-4059-A7F1-6F59E6426D3F-768x960.png 768w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/FB516DD5-4C14-4059-A7F1-6F59E6426D3F-480x600.png 480w, https:\/\/lacartebuissonniere.fr\/wp-content\/uploads\/2026\/07\/FB516DD5-4C14-4059-A7F1-6F59E6426D3F.png 1080w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vous aimez les m\u00fbres&nbsp;? Vous aimerez \u00e9galement&nbsp;:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/lacartebuissonniere.fr\/index.php\/2023\/07\/27\/sous-le-signe-de-la-mure\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u00ab\u00a0Sous le signe de la m\u00fbre\u00a0\u00bb<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/lacartebuissonniere.fr\/index.php\/2024\/07\/28\/aller-aux-mures\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u00ab Aller aux m\u00fbres \u00bb<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/lacartebuissonniere.fr\/index.php\/2025\/07\/27\/une-agglomeration-de-spheres-quune-goutte-dencre-remplit\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u00ab Une agglom\u00e9ration de sph\u00e8res qu\u2019une goutte d\u2019encre remplit \u00bb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u2019est le jour de la m\u00fbre dans le calendrier r\u00e9publicain&nbsp;! La pomme, la poire ou le raisin reviennent sans cesse sur les tables des peintres. La m\u00fbre, elle, est beaucoup moins fr\u00e9quente. On la rencontre dans les herbiers, les enluminures, certaines natures mortes ou quelques illustrations botaniques, mais rarement comme sujet principal. En cherchant n\u00e9anmoins [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","two_page_speed":[],"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[16,18],"tags":[],"class_list":["post-9524","post","type-post","status-publish","format-standard","hentry","category-flaneries","category-flaneries-culturelles","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>De la m\u00fbre contemplative \u00e0 la m\u00fbre \u00e0 double fond - La carte buissonni\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lacartebuissonniere.fr\/index.php\/2026\/07\/27\/de-la-mure-contemplative-a-la-mure-a-double-fond\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"De la m\u00fbre contemplative \u00e0 la m\u00fbre \u00e0 double fond - La carte buissonni\u00e8re\" \/>\n<meta property=\"og:description\" content=\"C\u2019est le jour de la m\u00fbre dans le calendrier r\u00e9publicain&nbsp;! 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